
Towards Anarchitecture, Part 3
AIAnyc Center - 16 December 2009
Three speakers, originally trained as writers, discuss their transition towards architecture.
Dan Graham’s current work includes interactive transparent sculptures. Formally, the pieces contains echoes of Richard Serra, substituting heavy sheet metal for transparent and translucent panels. The sculptures succeed in their claustrophobic feel and its somewhat disorienting, reflective funhouse quality. He’s a bit chatty and spends a lot of time explaining the meaning behind his work—which comes across as overcompensating.
James Wine, one of the original founders of SITE, describes buildings as sculptural objects. Not surprising, considering their BEST stores back in the 60s—which seems directly related by Gordon Matta Clark’s Building Cuts. SITE’s buildings tend to work at a visceral level---but comes across as empty upon further contemplation. Predictably, he finds inspiration in Libeskind, Gehry, and Zaha.
Vito Acconci provided the most interesting and complex work. He found that his gallery shows tended to be site specific espousing that art was contextual and not universal. His work demonstrates how architecture can activate space. Some of more interesting works include the US/Soviet Instant House, the West 8th Street elevated subway façade, and the body umbrella. The island project in Austria is formally interesting, but comes across as lost between lightness and structurally brutal.
Vito Acconci’s Instant House

